Steve: [00:00:00] Warning, 30 Screams or Less may contain spoilers about movies that have recently been released. If you haven’t seen the movie, go watch it, come back and enjoy the show. Or, if you don’t want to waste your time watching the movie and rather have two random horror dudes, watch it for you. We got you covered as well.
Steve: Welcome everyone to 30 Screams or Less, where we watch horror movies and review them in 30 minutes or less so you don’t have to. Guess what? Finally, we’re not reviewing a Shudder movie. Can you believe that Corey?
Corey: I know [00:01:00] it took us a while, but I feel like, until they start paying us. Gotta move on to something else.
Steve: Makes sense. So we had to choose something different. We didn’t go with Kaka Peepee, but this time we went with a service called Scream Box. And the movie that we’re reviewing today is the Epic Slasher Terrifier 2, arguably the longest slasher in film history. It’s two hours and 15 minutes long.
Corey: It actually is. I believe it holds the record for the longest slasher ever made.
Steve: Getting that Guinness World Record stuff going.
Corey: Hell yeah.
Steve: Yeah, that thing. Yeah. I fucking love it. Love myself. Some B movies. How we’re gonna review a two hour and 15 minute long movie in 30 minutes or less is beyond me.
Corey: We’re gonna do it.
Steve: Let’s make it happen. We’re gonna do it, we’ll make it happen. We’ll bang right through this fucking thing like we usually do.
A little bit of background of the movie. So movie again, Terrifier Two. The film is written, directed, edited, and produced by Damien Leon. It’s Stars Lauren Levera as Sienna Shaw. Elliot Fullman playing her brother [00:02:00] Jonathan Shaw and of course Art the Clown. Played by David Howard Thornton.
Art the Clown’s first appearance was in the Ninth Circle, but has since transcended to the Terrifier series. And Terrifier two is the recent installment in that whole series.
So with that in mind, 30 screams or less starts now. So Corey, obviously, I gotta say. When this movie came out in October, I fucking loved it. I thought it was great. I reviewed it on TikTok, did a little kind of quick thing.
It’s kind of where this podcast came to mind and I gave it a four out of five. What did you think?
Corey: I was a huge fan of the first movie. So once I found out that Terrifier 2 was actually going to become a thing, or potentially become a thing, because of course, the director, Damian Leon, had to crowdfund Terrifier 2 and blew his goal Out of the water in what, less than three hours?
Steve: Yeah, exactly. So he had a budget of 50,000 and then it ended up. Getting up to 250,000 in less than three hours.
Corey: Yeah. And like. I love slasher films. It’s probably one of my favorite styles of horror movie. [00:03:00] Jason Voorhees is my favorite of all time. And now that, Art the Clown has been a thing for two films now and a couple of short films he’s probably my number two at this point. He’s just so menacing.
Steve: Oh damn. That’s a hot take. Yeah, Jason, probably my favorite of all time. But then you have your Michael Myers and your Leather Face. Like these are the classic. But Art the clown, I think, could go down as a classic, slasher villain, and I thought it was great. Obviously, the audience thought it was great too because the movie ended up grossing 12 million at the box office from a mere $250,000 budget. It’s insane.
Corey: Yeah, he’s definitely got a cult following at this point. I don’t know if I told you, but I’m actually getting an Art the clown tattoo on my leg in February.
Steve: Oh, no fucking way. Who’s doing that?
Corey: Oh, Steve Steve’s gonna do it. He’s, he’s pumped about it. He wants to do a scene from the movie. I’m not sure what yet, though.
Steve: Oh, we gotta do the scene that we’re gonna talk about soon. Now we’re really gonna dive into the nitty gritty of this fucking movie, because this movie is so unbelievably violent that there were parts where I was cringing.
It’s [00:04:00] so violent. Corey, what is the most violent part of that movie you think? Because I think you and I might be on the same page about this.
Corey: There’s no question about it. It’s when Sienna gets fucking tortured for like 25 minutes. Or, uh, what’s her face, Allie?
Steve: It’s when Allie gets, tortured for fucking, yeah, forever. The scene went on so excessively long. No one should be alive after being scalped, back ripped open, arm ripped off, hand split in half, sliced all over, cover with both bleach and salt. Followed up with half of their face getting ripped off. How the fuck did she survive that all the way through? I have no idea. Not a single human being should survive that.
Corey: I feel like after getting scalped, you’d be dead.
Steve: Yeah. I would think like the pure shock, of your body would just be like, Nope, we’re good.
Corey: Did you notice that he did it with a pair of what looked like construction, paper, scissors?
Steve: Not again with the construction, paper, scissors. Oh my God. So all of our episodes, and now I think at this point.
Corey: Connected somehow.
Steve: Connected. We’re creating like our own fucking trilogy just by connecting all [00:05:00] these like parts and naturally kids dying again.
Corey: How does this keep happening?
Steve: I don’t know how this keeps happening, but, we’re gonna get into that part too.
Corey: Yeah, we are.
Steve: So that was one of the most violent scenes of that whole movie. It must have gone on for 15 minutes or maybe it felt that long.
Corey: How do you feel this rivals to the hacksaw scene from Terrifier one?
Steve: Oh God, I want to throw up thinking about it.
Corey: So I listened to a podcast with Damian Leon on it, and he was talking about how he wanted to Make a kill. That was worse than the first one. I still don’t think he succeeded. I don’t think this whole bleach and salt scene was worse than what happened in the first movie.
Steve: That kill in Terrifier one, we’ll say, where the girls hanging upside down, and sawed down the middle Ed Gein style is like a nightmare. My girlfriend, she’s like, should I check this out? I’m like, yes, but
Corey: Yeah, there’s a big but in there.
Steve: But yeah that part is so damn violent, but I still feel like this scene with Allie getting basically butchered is [00:06:00] not on the same level. It might be a little bit of a step down, surprisingly, even though it’s way gorier or way bloodier it’s way more vivid. It’s just, it is essentially over the top.
But I think it’s the matter that if he’s sawing down the middle of a woman hanging upside down, you kind of just feel that where this, you’re like, this is absurd, violent.
Corey: I mean, he kind of does the male version of this kill in this movie, and I’m sure we’ll talk about that
Steve: Oh God, yeah. There’s a few things in movies that make me really cringe. It’s eye and teeth stuff and anything genital related. So, naturally the scene, from Terrifier one where the girl’s hanging upside down and he is sawing down the middle of her, I cringed and I’m not even a girl, not a woman. But to see a guy getting stabbed in the dick and his dick essentially ripped off. That made me cringe a little bit.
Corey: Yeah, it was kind of terrible. And like you said, it, the fact that it dragged on so long made it so much worse.
Steve: Oh God. Yeah. That whole scene.
Corey: And then her mother comes home and runs upstairs to see her [00:07:00] just hacked up laying on the bed and art sitting next to her. What was he doing? He was like, peeling her skin off or something.
Steve: Yeah, he was just making little small incisions in the girl and, taking pieces off. This girl is sitting there the whole time, surprisingly still alive, and he’s just cutting off little chunks and just putting them all over the place. And in her final breath, as the mother enters the room, she’s like, mom help. That type deal. I think death would’ve helped her even more than her mom could.
Corey: Yeah, I don’t even remember how she officially died or how that scene ended at this point.
Steve: There was no end. That’s all we saw was the mother screaming. And then it cut to the scene where
Corey: Oh, the trick or treaters.
Steve: Yeah, it cut to the scene with the trick or treats where the mom’s head was cut off and it was the skull was cut and stuff like that. And he put the candy inside the mother’s head, and the poor kids, they’re grabbing the candy like, Ew, it’s wet
Corey: Why is it sticky?
Steve: Why? Why is it sticky? Oh God. It’s like when you get a ketchup package and you’re holding it and you’re like, ugh, it’s sticky, gross.
Corey: Yeah.
Steve: Kind of like that. I would be like, [00:08:00] this sucks, I don’t want this candy. I don’t even use that ketchup packet if it’s that sticky.
Corey: No, you gotta go wash your hands right away, dude.
Steve: Yeah, it’s gross.
Corey: So I gotta ask you your thoughts on this little asshole, Jonathan, with his fucking giraffe neck.
Steve: Jonathan, he had such a long neck in this, it was almost cartoony if you looked at it. It’s the first thing I noticed when I saw the movie for the first time too. I’m like, Jesus, this kid’s neck is so long, it’s so damn long. But he just, he was a pain in the ass, he did seem like that little pain in the ass brother. So he played the part well, but part of us, I’m sure we’re like, eh, this kid needs to get got
Corey: Like I told you, I’ve never probably rooted against a character so bad in any movie before. I hated him. Him and his stupid fucking squeaky voice and his cartoon ninja turtle looking neck.
Steve: Neck is so weird. Enough about his neck. But he does get friggin annihilated a little bit later in the film. Not too bad, not maimed or anything like that. But we’ll talk about that a little [00:09:00] bit more, in regards to like how it progresses.
Corey: He did have good taste in music though.
Steve: They damn did like he had, what did he have? A King Diamond, Arsis, Overkill, Carnifex. Like those kind of metal posters.
Corey: Yeah, those were all over his bedroom wall.
Steve: Yeah. Oh by the way, I’ve played with Overkill and Carnifex before. So seeing that I was like, no shit, I’ve played with them.
Corey: Did you ever get to meet Bobby Blitz?
Steve: No, I haven’t. I bet that would’ve been awesome.
Corey: He seems like a cool guy for being like his eighties at this point.
Steve: Yeah. Oh geez. Yeah, they’re getting up there. They really are. But solid band.
Corey: I saw them at, um, Mark’s Show Place a long time ago, if you remember that place.
Steve: Mark’s show place no wait. It’s called the Gold Club now.
Corey: Yeah. But back in the day, they used to have metal shows next door.
Steve: Oh yeah. I used to play there as well we were called Of The Betrayed and it was a fucking weird thing we played with Cattle Decapitation and, it was crazy. It wasn’t a great turnout. Cattle Decapitation ruled of course, but I remember some of the members of my band having to hang outside because they were under the [00:10:00] age of 18.
Corey: That place sucks.
Steve: Yeah, it’s not that great.
Corey: It’s mainly cuz it’s New Hampshire.
Steve: Yeah. So any of you in New Hampshire entertaining the idea of going to a strip club. Don’t worry about it. They’re not all that cracked up to be. Anyways, it’s fun. Yeah, keep your ones, put ’em towards quarters that you can friggin use for an arcade machine or to wash your car, whatever.
Corey: Or a $4 and 75 cent coffee. It’s Starbucks.
Steve: Yeah. We are getting off topic because now we have 15 minutes left.
Corey: Isn’t there a topic?
Steve: That’s right. There is a topic, it’s called Terrifier two. We’re getting back into it after we had our whole nostalgia rant there. Funny thing, last episode we were talking about vaccines and episode before that we were talking about fucks and I’m like, okay, clearly Steve has some sort of weird sexual issues or things with sex. There was barely any sex in this. Actually, I don’t even think there was any sex in this movie. Um, other than like the girl making out with the dude who then proceeded to get his dick ripped off.
Corey: Nah, no sex scenes. It was kind of dumb. Lame.
Steve: What?
Corey: Gets an F.
Steve: Gets an F for fucking fuckless.
Corey: No. Fucking,
Steve: No fucking whatsoever.
Corey: So why did [00:11:00] art just randomly go after that dude’s dick? He just had to piss.
Steve: I think maybe cuz it was just out in the open, like easy target.
Corey: And then he wrote, just the tip on the window.
Steve: Yep. Just the tip.
Corey: Yeah. Mocking the dude’s shirt. Hey, sidetrack. Did you notice that in the very first scene of the movie when art’s wiping the blood off the back of his head and writing his name in the mirror, did you notice that
Steve: I did notice that. Yep.
Corey: The continuity from the first film when he shot himself in the head?
Steve: Oh, I do remember that. Fucking crazy it’s a perfect seamless transition from Terrifier one to Terrifier two. You could watch them both back to back and it seems like one continuous movie.
Corey: I really did I love that whole opening scene of him walking through the alleyway and it kept cutting over to I’m assuming he was in a morgue.
Steve: Yeah, he was in the morgue he entered the morgue after getting shot in the head and then, they pull the covers off of him, he’s doing his art, smile, the lights goes out or whatever and that’s how the movie ends for Terrifier one and then naturally you see the brutality of it in Terrifier two, where the mortician is just getting annihilated and Art [00:12:00] rips out his eye and puts it in his own head for fun and he writes Art on the mirror, whatever, in blood and then he proceeds to bash this mortician’s head in, like you wouldn’t believe. And then he starts playing with his brain.
Corey: Yeah, that was pretty epic. I loved it.
Steve: It’s so gnarly. this. It is a very cool opening. I’m surprised if any service is gonna friggin allow this podcast to be released because we’re talking so fucking violent right now. Like this should be NC 17 type deal.
Corey: You know, another thing I loved about this movie and the first one was the score. I love the music. I have the vinyl of the first movie. I have the second one pre-ordered. I don’t have it yet in hand, whoever the composer is does a great job making the sounds for this films.
Steve: I would love to have that on vinyl. You kidding me? But I also need a vinyl setup. I have the player, but I just don’t have the speakers.
Corey: Yeah. You get some cheap shit on Amazon. I just use PC speakers.
Steve: Oh, do you? Huh? I have have those. So maybe I can make that happen then. It’s worth it because vinyl sounds way different, and especially your horror [00:13:00] soundtracks. Oh, forget it. I bet that sounds fantastic.
Corey: All I buy is
Steve: Horror soundtracks.
Corey: Horror and Disney. I love Disney movies.
Steve: Those are two opposite ends of the spectrum, my friend.
Corey: Yeah, I recently got the Encanto soundtrack. I’ve been trying to find that for a little while.
Steve: Oh wow. Nice. Damn. Yeah, you’d be surprised what’s out there for vinyl. Obviously there’s thousands upon thousands of horror movies. There’s a vinyl somewhere, who do you go through for your vinyl? There’s like a special company that you use to get these things right?
Corey: I’ve used a few. I use, Waxworks records mainly.
Steve: Oh, nice, nice. Okay. Yeah, thought the music for the soundtrack was, really cool as well. It was very atmospheric. Just menacing and gave a lot of suspense to the movie.
Corey: Yeah. And so this other company I use is called, sensory Recordings, and that’s who releases the Terrifier scores.
Steve: Oh, okay. That makes sense.
Corey: And they only made I think a thousand copies of the score itself on wax.
Steve: No, shit. Wow. That’s a limited edition then.
Corey: Yeah. Fuck it. Just listening to it on Spotify.
Steve: Fuck it you know what, that’s where I listen to a lot of my horror soundtracks. Most of the time I’ll listen to them on there, [00:14:00] and I just go on my workday.
Corey: I do when I’m not in my home office, cuz my record player’s in there. If I’m not there, I’m definitely on Spotify.
Steve: Oh yeah. Makes sense. All right. So yeah, we gotta get back into it. We’re running low on time again.
Corey: We leave off dude getting stabbed in the dick.
Steve: Oh, no, we talked about that.
Corey: I know, but that was the last thing we talked about.
Steve: Oh. So we’re just bringing it back to stabbing in the dick. Lovely.
Corey: Yeah.
Steve: Okay.
Corey: To genitals.
Steve: All right, back to genitals. So this is the scene where Sienna is going to save her brother and try to find him because what I don’t get though is, Why Art kidnapped the brother to lure in Sienna? It doesn’t make sense to me, because Art was gonna kill the kid anyways. Being art the clown, you kill the kid, you just go find the girl. Maybe he just like was trying to do a two birds, one stone deal. I don’t know. But it’s almost like he took it a little easy on the kid at first. For whatever reason.
Corey: It’s almost one of those typical family’s fighting for family kind of thing. Where for whatever reason he wanted the girl, so he just kidnapped the kid, cuz then she’s gonna come to him.
Steve: Oh, of course. They tend to [00:15:00] do a lot of stuff like that in movies, like the whole hostage thing. If you want to see your brother again, come to this place, blah, blah, blah. But the way they did it was a little different because the whole time, this whole movie Art has this accomplice, if you will. It’s like this entity that’s with him, this girl, little girl. She appears at the beginning. Where in the Laundrymat, she shits all over the place and playing patty cake with Art the Clown. While there’s another person in the Laundrymat who’s just watching Art the clown sitting there naked playing patty cake with an invisible being.
Corey: So I was reading too regarding that girl, the actress that played her, her name’s Emily McLean. That was actually her first acting gig.
Steve: No shit. Good for her.
Corey: Yeah. And obviously she’s young.
Steve: Obviously. Yeah, so I’m sure she has quite the career ahead of her.
Corey: Imagine your first acting gig being that
Steve: Yeah, basically being one of the like the lead characters in a movie. Not bad, I say.
Corey: About a clown murdering people.
Steve: Exactly, but hey. It made 12 million at the box office, so you know a hell of a way to start. I say, so, like the other thing I don’t get [00:16:00] about this, this little girl that’s with Art, and only certain people can see her, so the Shaw family, Sienna and a brother, they can see her, but no one else can. So the person in the laundry mat, who Art killed towards the beginning couldn’t see her or anything like that.
It was very odd. It just seems like there was some sort of, link between Art and the Shaw family. But then there was the father who had this whole book of drawings and Art was portrayed in it, and Sienna was also made, in it to be like the hero of this whole thing, like she was supposed to come in and save the day and take out Art the Clown. But the only thing I can think of is it’s some sort of spiritual connection between the girl, that location and the whole family and Art the Clown.
Corey: I agree cuz there’s gotta be some connection with Art being who Art is to what their father was drawing, especially where there was that sword thing. They kept pointing towards that sword a lot. Plus the armor that Sienna was building the whole movie to go to that Halloween party. All from that book, her father was drawing.
Steve: Yeah, [00:17:00] exactly. He portrayed her in the book as like the heroin, but yeah, this little girl, she’s all over the place. And there was even a part where, the little girl puts. Images of Sienna’s mother, being killed by Art the Clown into her head, similar to the end of 1994 as the Crow where, Eric Draven put his hands on the main villain’s head on top of the roof and killed him.
They did that same deal. So that’s where I’m getting at. Whether she’s, is she real? Is she, solely in the minds of Art the Clown and the Shaw family. Is Art the the clown part of the Shaw family?
Corey: I think we’re gonna find out in the third one.
Steve: Part of me thinks that Art the Clown might be a relative and the reason why the father was able to draw him is because of some sort of lineage where maybe Art the clown was always around almost like penny wise style. But maybe it was this family secret that he was not supposed to be brought to everyone’s attention.
Corey: Like you said, I think in the third film, I’m sure there’s gonna be one that we’re gonna find out that they’re all related somehow.
Steve: Oh yeah. Well, they [00:18:00] already even set it up for the third film because at the end when Sienna cuts off Art the Clown’s head, the little girl that we can’t determine whether she’s real or fake. She picks up art, the clown’s head and walks into the amusement, park, the Terrifier ride. But you know what’s funny about that too is like that part happens, but then there’s that secret scene at the end of the movie as well, like at the post credit scene where they build Chris Jericho being in this movie as one of the lead characters. He was only in this scene at the very end, the post credits for maybe two minutes, and I don’t know if they were doing that just to build up promotion for the movie or whatever, but he was only in there for like two minutes.
Corey: They definitely put his name in the very beginning of the movie, just to put a big name in there cuz he’s definitely their, most well known actor in the film.
Steve: Oh yeah. I feel like a lot of the actors in that film, other than Chris Jericho, were relatively unknown actors. I’m sure they have some stuff to their credits, but probably more independent stuff. So Chris Jericho [00:19:00] obviously had way more credits, not like big credits or anything. I mean, maybe he’s got McRuer under his belt, but that’s about it. I don’t know. He’s got some other things. They’re mostly just small little rolls. You’ll see Jericho on screen and go, oh shit, that’s Chris Jericho.
Corey: So that whole ending scene with Chris Jericho, we’ll talk about that a little bit when they show the inside of the insane asylum where Vicky, or if those of you don’t know, Vicky survived art in the first movie. She’s apparently in love with Art and is pregnant with Art’s Head.
Steve: Yeah, I saw that. I couldn’t make much sense of it. That’s where I’m going into the whole idea that Art is maybe a supernatural entity who literally can’t die, and I don’t know, maybe she just keeps giving birth to parts of his body, or she has. That’s good.
Corey: That’s a good theory. I like that.
Steve: I think that’s all right. Or, what happens is, maybe his body grows off the head fucking Deadpool style.
Corey: That could happen too.
Steve: Yeah. So who knows? Maybe he’s got a little
Corey: He get some wolverine shit going on where he could just like regenerate body parts and heal himself and stuff.
Steve: Oh, exactly. Yeah, he, just can regenerate. No [00:20:00] problem. Oh, my head’s cut off. No big deal. Imagine that I’d be like, fuck this, my head. I’m dumping my head today. Oh geez.
Corey: So we just run outta time.
Steve: Yeah, we just ran outta time. Google Timer is friggin going off on me, but I think we can do like another minute because after I edit this shit, might be under 30 minutes, but it does go quick.
So another thing I wanted to talk about was this whole scene with Sienna falling into a giant hole and ending in the water tank and being stabbed, only to rise up like a phoenix from the ashes. Couldn’t make much sense of that scene. What did you think about that, Dimmick?
Corey: I honestly don’t know. It’s almost like the director got like high on mushrooms or some shit and he had some like filler he needed to make up or something cuz it didn’t make any sense. I mean, it pulled her down into that tank and that clown cafe shit where she’s like watching everyone burn that we saw from towards the beginning of the movie, she was reliving that whole thing that she saw in her dream.
Steve: Oh yeah. That clown cafe part towards the beginning was bonkers.
Corey: Yeah, and that song is gonna be stuck in my head now for the rest of the week.
Steve: Yeah. If fucking tell me about it.
Corey: But that whole scene [00:21:00] was fucked up.
Steve: It was almost very cartoony, like superhero type style, and it didn’t really flow with the whole feel of the movie
Corey: it was like some PeeWee’s Playhouse shit.
Steve: Don’t knock on PeeWee’s Playhouse, you knock up. Okay,
Corey: No, no, no, no. We talked about how PeeWee’s Playhouse is incredible, but it was very much like that.
Steve: It was some sort of fever dream. PeeWee’s playhouse is a fever dream.
Corey: Yep. Definitely.
Steve: Yeah. But that whole scene, it was very weird. It’s almost like she was able to regenerate. Now I’m thinking, okay, hear me out. Art the Clown basically can’t die. We’ve established that he can be born as a head. Sienna can apparently heal herself through this frigging sword. So now is there some sort of bloodline between Art and the Shaw family where they’re able to just regenerate and save themselves, like from mortal wound?
Corey: I don’t know man. I’m lost on the whole connection, like what he’s going with and what the relation is gonna end up being because like, why did she need to basically be Wonder Woman to make this movie end?
Steve: That’s essentially what happened. She became Wonder [00:22:00] Woman.
Corey: DC is gonna go after Damian Leon now.
Steve: Damien Leon’s like, life is good, but it could be better.
Corey: Yeah. He
Steve: Comes in and is like, okay, life’s not that good at the moment.
Corey: Yeah, DC and Jason Momoa are coming for that ass
Steve: Mm-hmm. Don’t want to mess with them. No way.
Corey: I don’t really understand that whole tank scene.
Steve: Yeah, me neither. So essentially, Sienna cuts off Art’s head, girl picks it up. End scene, Fin, that type deal. Post credits. Chris Jericho.
Corey: Weapon, that Art built in the beginning of the movie that she ends up essentially using against him. That table leg with the knives and spikes hanging out of it.
Steve: Oh, that thing was so gnarly. Oh my God.
Corey: the whip. Or the whip he made with the scissors and what are those knives called? They use a hospital.
Steve: Scalpel.
Corey: Scalpels. Yeah, he’s just whipping Sienna and Jonathan with it.
Steve: So gnarly, but then Sienna obviously she got that whip and started going to town on Art Clown, which it was awesome. It’s like those two were awesome, villain and hero and just going back and [00:23:00] forth like that.
Corey: I just wish he whipped Jonathan more.
Steve: Fucking fuck Jonathan, but at least he got his Achilles heels eaten basically.
Corey: What the fuck was that too? He is like literally eating his ankles.
Steve: Yeah, like he just wakes up from being knocked out and Art the Clown is going off on his Achilles tendons and just like mowing down on it.
Corey: It would’ve been better if Art went for his fucking meaty neck.
Steve: Well it would take him fucking weeks to go through it.
Corey: We could lead into the third movie with just Art snacking on Jonathan’s neck.
Steve: That would last for six films.
Corey: I’ll take it. As long as Jonathan isn’t alive anymore,
Steve: Oh my God. Oh, more of that again. More of the kids getting killed. Uh, it seems like we can’t have, I know you can’t help. It seems like we can’t have a single episode without talking about this.
Corey: Let’s see what the fourth one’s gonna be about.
Steve: Oh god
Corey: See if we can break the trend. We’re gonna try. We’ll try guys. We’re gonna try and avoid talking about killing kids, but can’t promise anything.
Steve: Maybe we’ll review some horror Disney movie like fucking Hocus Pocus or some shit and like, oh no, kids like [00:24:00] are dying. That too technically, right?
Corey: That movie’s about, like kids being sacrificed.
Steve: Oh God. Okay. So we have to find a movie where some sort of kid is not being sacrificed, not being killed, not being this not being that.
Corey: Matilda.
Steve: Oh, I guess
Corey: No one’s gonna listen to that shit. We’ll have to change the name of the show.
Steve: Yeah. 30 screams or fuck off.
Corey: Yeah. 30 screams or get the fuck out.
Steve: Yeah. So, We’re not reviewing Matilda. Sorry, everyone. This is a horror podcast. Maybe every once in a while we’ll kind of venture off and do something fun. We were talking about doing Violent Night. That’s a little different. Maybe we’ll do that. Why not? So with that in mind, we’re basically at time, we honestly might be over time, we’ll see once I’m done editing.
Corey: Who gives a fuck? This is our podcast.
Steve: That’s true, but it’s 30 Screams or Less.
Corey: Whatever. It’s 33 or 34 Screams or Less. This time I don’t give a shit.
Steve: Let’s Catch 33 Screams or Less
Corey: All right.
Steve: So.
Corey: 33 screams or get the fuck out.
Steve: Yep, 36 crazy screams.
Corey: All right. 36 Screams of Night.
Steve: Perfect. [00:25:00] We’ll just start using band names and movies and just start throwing our name in there. We did that.
Corey: Crazy screams
Steve: Yeah, exactly. We did that all the way back from Canada one time. Uh, everyone was just putting my name in every single movie title, like, Jurassic Steve, Night at the Steve Bury.
Corey: I like it.
Steve: It’s so stupid. It went on for four hours. I was like, all right guys, I’m done enough.
Corey: Did you see any dead bodies on the highway?
Steve: It was about to be me being the dead body on the highway. Jumping outta the van to my death.
Corey: Nothing like us coming back from New Jersey.
Steve: No, nothing like our New Jersey ride where there was an actual fatality. That was a bit much.
Corey: Wasn’t a kid though.
Steve: It was not a kid. Which is reassuring, I guess, but not at the same time.
Corey: No.
Steve: No. Alright everyone. Be sure to check us out on Facebook, facebook.com/30screamsorless. Also, we’re on Twitter now @30screamsorless, so be sure to join in on the conversation there. Subscribe to us on YouTube @ 30screamsorless as well.
We’ll be throwing video [00:26:00] content up there at some point, and if you have any film you want us to review in particular, be sure. Comment to us on Facebook, mention us on Twitter, or send us an email to 30screamsorless@gmail.com and let us know where we could find it. And the movie obviously that you want us to review.
Corey: And if you don’t do that, we’re just gonna keep talking about shit you guys don’t want to hear about.
Steve: Yeah, goddamn right. But no, as far as I’ve gathered, a
Corey: It’s like Matilda.
Steve: Yeah, like Matilda. Okay, next episode we’re doing Matilda. Sorry, everyone.
Corey: Fuck yeah
Steve: Well, that’s why we gotta get people to come into the social medias and you know, give us their opinion.
Corey: Guys. If you want this train back on the rails, you gotta make suggestions.
Steve: Yep. We need suggestions. We’ve got plenty in mind, but if you have some, let us know. So everyone with that in mind, I’m Steve.
Corey: And I’m Corey.
Steve: And thank you for listening to 30 Screams or Less.
Corey: See you later.
Steve: Have a good one, everyone.
[00:27:00]